Wednesday, December 7, 2011
Fashion Meets Music: Marry The Night
*Another MISS exclusive for you, check it and the amazing images as laid out by C_Rocka at Fashion Meets Music: Lady Gaga Marry The Night.
After splitting with her creative director of four years, Laurieann “Boomkat” Gibson, Mama Monster has taken the reigns and delivered a music video wrapped in a 14 minute short film. With less than subtle nods to “Fame,” “Black Swan,” “Desperately Seeking Susan” and a touch of “The Bell Jar,” this somewhat dark trip into the recesses of Gaga’s mind is worth the 14 minutes just to hear her muse on BeDazzlers and next season’s Calvin Klein.
According to the lady herself, “Marry The Night” depicts the worst day in her life. If the worst day in her life included well phrased monologues, custom Giuseppe Zanotti shoes, break downs in Manhattan lofts, mint hair dye and blowing up cars in over the knee Christian Louboutin boots, I’d gladly trade. Of course like she says at the beginning as she’s being wheeled to a room in a psych ward after an undisclosed operation, this is her version of the truth which is more true than the actual truth. Whatever break down that lead to Stefani becoming Gaga was devoid of the sick clothes, amazing choreography, over the top imagery and hard hitting sounds that we see in “Marry The Night,” but it undoubtedly lead to it.
Break down over and done, the beauty in “Marry The Night” is not just the metaphor laden overarching theme but the clothes of course–I mean seriously, it IS Gaga. From the moment we see a barely conscious Mama Monster being wheeled down the hall by two hot nurses in sterile white dresses with sick white heels and mint hair nets, we know this is a Gaga production. Fast forward to a newly released Gaga losing her mind in her studio, bathing in honey nut Cheerios and dying her hair mint green as she sings the opening lines of “Marry the Night” in her bathtub wearing, as we see later, nothing but a pair of sparkly platforms. She has her Madonna moment in BeDazzled denim and a pair of awesome custom shades, and slides into the roof of a car in a black pleather outfit that is equal parts Batgirl and dominatrix. Through the quick flashes of the moments leading up to her break down we get glimpses of a pre-meat dress Gaga circa The Fame. While I loved every outfit from beginning to end the most beautiful, and wearable ones, were worn by the nurses as they wheeled our little “morphine princess” back to reality.
Whatever you think about Gaga, her backstory or her abilities as a director, you have to admit that the girl is smart. I mean only someone with a mind full of references addled by self induced trauma could come up with such a fitting homage to the struggles of fame and reinvention, and everyone’s favorite city all while wearing heels so high that falling off of them would break a major bone.
Tuesday, May 31, 2011
JUDAS!!!
This is another M.I.S.S. exclusive, so you know the drill. To see this post in it's original format go to Fashion Meets Music: Lady Gaga's "Judas".
While a storm of unnecessary controversy swirled around “Judas” from the moment Gaga announced the track’s title, the lyrics are intelligent for a pop song, making the connection between Judas, Mary Magdalene, Jesus, and our little fame monster, the beat is sick albeit familiar, and the video is a sartorial feast for the eyes from the first frame. Although her chola version of Mary Magdalene felt like a continuation of her “Telephone” character, the Byzantine style crown she wears while ripping up the streets with Jesus and his chosen twelve, which calls to mind both Mary the mother of Jesus and the Empress Theodora another historic bad mamajama, and her leather top embroidered with a Sacred Heartmerge Renaissance portrayals of one of the most celebrated disciples with a modern day bad girl image.
Gaga’s fashionable play on religious imagery only begins with a Sacred Heart and a bikini top with a few strategically placed crosses. She carries the image of the beloved chola disciple from her mother superior with a lipstick loaded gun to her final scene as a Harajuku bride in creepers being stoned by her detractors. Despite her over the top fashion reeling you in from the first frame, the most striking image of Gaga comes when she bathes the feet of Jesus and Judas in simple leggings and a crop top with Botticelli like curls, but that’s just me you may prefer the Elizabethan Gaga entering the biker bar.
Clothes and Christianity aside, Gaga’s makeup was the underlying star of this video. Her thick eyeliner recalled on of history’s ultimate femme fatales, Cleopatra, and was very apropos considering her role as Bonnie to biker Jesus’s Clyde, who was very easy on the eyes mind you. Not only was her makeup game locked but Gaga’s stiletto nails were more than worthy of a place in our weekly Mani Monday wrap up. From a set boasting 3D nail art and what looked like a hint of denim to those amazing black and red nails dripping in gold chains, Gaga’s nails almost make me long for the days when I kept a fresh acrylic set.
Whether you are the fan of the makeup, the fashion, or the artful use of Gaga’s one year at NYU, most little monsters will agree that the only sin committed in “Judas” was mixing Chanel with Lacroix.
Wednesday, April 20, 2011
Mondays with Gaga




Tuesday, May 18, 2010
Fashion Meets Music: Grace Jones
Model turned muse, Amber Rose is obviously a serious fan of Ms. Jones as a model and performance artist. From the top of her blond, buzzed head to her well heeled feet, Amber Rose is taking cues left and right from the diva. She even recently recreated one of Jones’s most iconic poses, FYI this isn’t the first time Amber has paid homage to Jones via a photo and surely won’t be the last. If Amber Rose is the president of the Grace Jones fan club, Lady Gaga is her second in command.
La Gaga has done the best job of channeling Jones as a performer. Her music clearly has its roots in the high energy beats of disco and like Jones, Gaga’s sound moved from the club scene to the main stream thanks in part to her kooky style. Both women used their eccentricities to catapult their careers and both insanely talented. However, while Gaga dreams of having worked with and known such prolific artists as Keith Haring and Andy Warhol, Grace Jones actually did. Jones was the pioneer for bringing the underground art scene into the mainstream through her visual appearance, thereby making performers like Gaga possible. Both women are aware of this fact, which is why Gaga recently asked Grace Jones to collaborate with her to which Jones replied,"I’d just prefer to work with someone who is more original and someone who is not copying me, actually."
Burn. It seems as though while Gaga may be enamored with the iconic songstress, Jones is less than dazzled with the younger performer. I guess she isn’t flattered by imitation, then again no old school diva ever really is.


