Monday, December 20, 2010

FMM: Astrud Gilberto


Another MissOmniMedia.com original. To view this post in its original format go to FMM:Astrud Gilberto.

Tall and tan and young and lovely, Astrud Gilberto coolly strolled onto the bossa nova scene when she sang on the album Getz/Gilberto, at the suggestion of her then husband, João Gilberto the father of bossa nova. Her recording of “The Girl from Ipanema” established her as a jazz and pop singer, and ensured that people getting off and on elevators would be entertained for generations. Despite the fact that you’re most likely to hear her tunes on an elevator or a 50s/60s style lounge, Gilberto isn’t strictly for the geriatric set. Her recording of “Once I Loved” was featured in Juno, Cut Chemist sampled her in the song “The Garden”, and the Black Eyed Peas sampled her on their Monkey Business album-for better or worse.




This jazz vocalist’s cool and sultry voice was equally matched by her style. With her perfect black liner, blunt cut bags, and just the right amount of height in her hair-take notes Snookie and Flo-Gilberto is the kind of pretty that most girl’s today aspire to. Unlike June Cleaver or Doris Day, Astrud Gilberto has a bit of an edge to her, like a cool aunt who dresses a bit risqué, smokes, and dates around, you know like a classier Cher in Mermaids. I say classier because while her hair is closer to God and her eye-liner gives off just a hint of sex, the fact that the rest of her face is bare and her outfits are understated keeps her from going off the deep end. She also gives off the perfect balance of sex and innocence that escapes most girls today. I mean what pop-star now could rock just a fur coat and a smile and still look like the girl next door? Just saying

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